By Steven Bach
This large, admiring biography refutes the inspiration that Marlene Dietrich's femme fatale picture used to be totally the discovery of director Josef von Sternberg. Bach, a movie manufacturer and writer of ultimate reduce, who studied with von Sternberg, portrays the latter as a megalomaniac whose amorous frustrations with the big name he had created drove him to keep up that she used to be a puppet who danced to his strings. Bach rejects the traditional comparisons with Garbo as he plumbs Dietrich's specific combination of erotic energy, irony and humor and limns a strong-willed girl whose innumerable sexual affairs chuffed an easy desire for companionship. He divulges that Dietrich's sister Elisabeth, whose lifestyles the actress denied, belonged, with Elisabeth's husband, to a gaggle that entertained Nazis at Bergen-Belsen focus camp. powerful on movie and level feedback yet much less in detail revealing than Donald Spoto's Blue Angel (Forecasts, July 13), this engrossing biography is mainly sturdy on Dietrich's early occupation, her valiant anti-Nazi efforts and her phoenixlike rebirth as a troubadour-actress. greater than a hundred pictures, a filmography and a discography also will please enthusiasts. writer tour.
The most interesting picture-star biography i've got read.
—Peter Bogdanovich, la Times
Dietrich won't ever have a extra meticulous, eloquent, or sympathetic biographer.
—Times Literary Supplement
If you open it to the suitable pages within the correct temper, you could virtually pay attention the applause nonetheless ringing.
—New York instances publication Review
From the phases of Berlin to anti-Nazi efforts and silver-screen stardom, Steven Bach finds the interesting girl in the back of the parable surrounding Marlene Dietrich in a biography that might stand because the final authority on a novel big name. in line with six years of analysis and hundreds of thousands of interviews—including conversations with Dietrich—this is the existence tale of 1 of the century’s maximum motion picture actresses and performers, an icon who embodied glamour and class for audiences round the globe.
Steven Bach (1938–2009) taught American literature sooner than turning into a movie manufacturer and head of construction for United Artists. He used to be concerned with dozens of flicks, together with Sleuth, long island, Raging Bull, and The French Lieutenant’s lady. He wrote the severely acclaimed most sensible vendor ultimate minimize: goals and catastrophe within the Making of “Heaven’s Gate.”
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This large, admiring biography refutes the suggestion that Marlene Dietrich's femme fatale snapshot used to be totally the discovery of director Josef von Sternberg. Bach, a movie manufacturer and writer of ultimate lower, who studied with von Sternberg, portrays the latter as a megalomaniac whose amorous frustrations with the famous person he had created drove him to take care of that she was once a puppet who danced to his strings.
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Additional info for Marlene Dietrich: Life and Legend
It went something like this: Marlen comes from Berlin, For us she fits right in. Fun and cheer are her plaisir, And that's the main thing here. "Marlen' " led the girls in the verboten pleasure of buying sweets in town and gorging on them, protected from the nightly prowls of housemother Frau Arnoldi by a heavy armoire shoved against the door. She had always liked her cream cakes, but sweets were great luxuries following the war, and in strictly run boarding houses at any time. She did not escape the consequences.
No eyewitness has described those days of revolution, counterrevolution, and misery as vividly as Count Harry Kessler, a "protean figure" as Otto Friedrich justly calls him. Kessler breakfasted with Albert Einstein, lunched 30 W E I M A R A N D B A C K with the new German president, Friedrich Ebert, posed in the afternoon for his portrait by Edvard Munch, dined with the crown prince (still a social lion in Berlin: Uncle Willi knew him), supped at midnight with Max Reinhardt. He sipped champagne and frolicked (and took notes) at playwright Dr.
She thought of her mother as "a good General," both stern and reliable, and resembled her more than she knew. Hemingway would one day apply exactly the same words—"a good General"—to Marlene herself. The rest of the family called Josephine—behind her back—the Dragon, and the back that now supported a family stiffened even more. Marlene admitted, "My mother was not kind, not compassionate, [but] unforgiving and inexorable. . The rules were . . " Josephine's insistence on loyalty would become a theme of her daughter's life in worlds where loyalty is lightly valued, when at all.