Download Constructing the Coens: From Blood Simple to Inside Llewyn by Allen Redmon PDF

By Allen Redmon

The flicks of Ethan and Joel Coen were embraced via mainstream audiences, but additionally were topic to extreme scrutiny by means of critics and cinema students. videos comparable to Barton Fink, The Hudsucker Proxy, and Raising Arizona symbolize the filmmakers' postmodern developments, a subject matter many lecturers have written approximately at size. yet is it sufficient to minimize their good points as expressions of postmodernism or are there alternative routes of viewing their work—not simply their person movies yet their whole output as a collective whole?
In Constructing the Coens: From Blood uncomplicated to within Llewyn Davis, Allen H. Redmon seems to be past the postmodern sensibilities of each movie written and directed by way of the Coens to discover an unforeseen diversity of habitual rules expressed in and approximately modern movie. during this quantity, Redmon tackles all the movies within the Coen brothers' canon by way of examining—among different topics—narrative coherence in The guy Who Wasn't There, intertextuality in No kingdom for outdated Men, and sexuality in Burn after Reading and O Brother, the place paintings Thou? extra chapters examine their movies during the prisms of gender experiences, version stories, and a constructivist sensibility weaved all through their work.
Considering the entire of the Coens' output, in addition to a number of the subject matters being mentioned in modern movie reviews, this booklet demanding situations audience to reexamine their preliminary responses to those videos. via attractive either the popular and international components in each one movie, Constructing the Coens will attract lovers of the brothers' cinema, but in addition to scholars and students of movie conception, edition stories, queer concept, and gender studies.

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Extra resources for Constructing the Coens: From Blood Simple to Inside Llewyn Davis

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Reviewers of the Cormac McCarthy novel turned Coen feature were agush over the way in which the filmmaking duo was able to bring McCarthy’s novel to the screen. A. O. ” James Berardinelli (2007) agrees. ” The reviewers would have one believe that the Coens create a great movie largely because they were filming a great book. Ladykillers did not receive the same positive reception, and, not surprisingly, part of the complaint against the film was its inability to achieve the artistry of Alexander Mackendrick’s original.

The Coens realize their visions in a similar milieu. They are not quite independent filmmakers, but neither are they at the center of Hollywood. Their films too often secure the talents of in-demand actors for them to be truly independent. Billy Bob Thornton was riding some measure of popular success when he was cast to play the lead in The Man Who Wasn’t There (2001). George Clooney and Catherine Zeta-Jones were emerging as bona fide stars when they were cast in Intolerable Cruelty (2003). The choice to place Tom Hanks at the center of Ladykillers meant that the Coens were casting one of the most recognizable and accomplished actors in this generation of leading men.

Ladykillers did not receive the same positive reception, and, not surprisingly, part of the complaint against the film was its inability to achieve the artistry of Alexander Mackendrick’s original. A. O. Scott (2004) wonders why anyone would try to match the chemistry of the original actors. ” The implication is that the Coens would have done well to leave the original alone. Roger Ebert (2004) further underscores this sentiment. ” The Coens fail to match Mackendrick, Ebert claims, because they produce a film that is more like “a comedian who wears funny hats” in a desperate attempt to be noticed.

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