By Daniel Meyer-Dinkgrafe
The essays accumulated during this quantity have been at first offered on the Fourth foreign convention on cognizance, Theatre, Literature and the humanities, held on the college of Lincoln, might 28-30, 2011. The convention was once organised at the foundation of the good fortune of its predecessors in 2005, 2007 and 2009, and at the foundation of the luck of the Rodopi booklet sequence attention, Literature and the humanities, which has to this point visible thirty volumes in print, with one other twelve in press or within the technique of being written. The 2011 convention and the ebook sequence spotlight the continued progress of curiosity in the interdisciplinary box of recognition reports, and within the particular disciplines of theatre experiences, literary reviews, movie stories, nice arts and song within the courting among the thing of those disciplines and human cognizance. Fifty-five delegates from twenty-eight international locations the world over attended the could 2011 convention in Lincoln; their diversity of disciplines and techniques is mirrored good during this e-book
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Additional info for Consciousness, Theatre, Literature and the Arts 2011
In East Coker the rotation around the still point is shown as a cyclical character of terrestrial life, one manifestation of a mortal lot of everything alive. Dancing around a bonfire has always been connected with ritual dances: In that open field If you do not come too close, if you do not come too close, On a summer midnight, you can hear the music Of the weak pipe and the little drum And see them dancing around the bonfire The association of man and woman In daunsinge, signifying matrimonie— Dance in the poem is expressed in one more incarnation – as a funeral dance, as the reflection of dark forces tempting man on his path to salvation in opposition to Logos: The Word in the desert Is most attacked by voices of temptation, The crying shadow in the funeral dance, The loud lament of the disconsolate chimera.
This is the state, which may be called “terrestrial Paradise”. In “Four Quartets” this state is symbolized by children playing in the rose garden. Go, said the bird, for the leaves were full of children, Hidden excitedly, containing laughter. Childhood itself may be viewed as the Paradise lost, the state of happiness, innocence and full protection which we try to regain. The bird is a guide between this world and the eternity the poet tries to regain. The bird and “the unheard music hidden”(Burnt Norton I) are mystical symbols that bring the poet to a drained pool: And the pool was filled with water out of sunlight, And the lotos rose, quietly, quietly, The surface glittered out of heart of light, (Burnt Norton I) The pool of water was inherent to Paradise before the fall of man.
The purifying fire of love brings man closer to God and reconciles him with himself. This is the state, which may be called “terrestrial Paradise”. In “Four Quartets” this state is symbolized by children playing in the rose garden. Go, said the bird, for the leaves were full of children, Hidden excitedly, containing laughter. Childhood itself may be viewed as the Paradise lost, the state of happiness, innocence and full protection which we try to regain. The bird is a guide between this world and the eternity the poet tries to regain.