By Noyale Colin, Stefanie Sachsenmaier
This book examines cultural, philosophical and political concerns tied to precise cases of collaborative perform within the appearing arts. students and creative practitioners evaluation old advancements of collaborative perform and exhibit what it capacity to interact in artistic contexts firstly of the twenty-first century.
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Extra info for Collaboration in Performance Practice: Premises, Workings and Failures
Thus, even before we consider the practices of collaboration within the arts, the term upon examination rapidly loses much sense of definition, or a clear and unified ethical grounding. At best it is elastic and Simon Murray 31 porous, at worst anodyne, almost meaningless and counter-productive for the processes and goals of the individuals involved. Collaboration within business and the cultural industries Whilst the language, strategies and rhetoric of collaboration have regularly been employed in the fields of arts and political activity, throughout the twentieth century collaboration has also been invoked as a desirable force field within management economics, business studies and industrial relations.
Their Being-in-themselves within-the-world is Dasein-with [Mitdasein]. (Heidegger, 1962: 154–55) According to Davis and Steinbock (2011), philosopher Max Scheler (1847–1928) similarly does not conceive of the ‘other’ as problematic in any sense. ). The practice of ‘co-laborating’ in cross-disciplinary collaborative performance-making might, in these sorts of terms, be usefully defined as involving a disciplinary ‘co-feeling’ of the ‘other’ in the Heideggerian sense. Each is engaged in what is specific to her or his disciplinary experience and expectations, yet, equally works inventively in collaboration according to a collective intention at the level of the set-up.
Gropius, W. (2011) ‘The Theory and Organization of the Bauhaus’, in Harrison, C. and Wood, P. Art in Theory 1900–2000: An Anthology of Changing Ideas. (Oxford: Blackwell Publishing). Hayles, K. (1999) How We Became Posthuman: Virtual bodies in cybernetics, literature and informatics. (Chicago: University of Chicago Press). Heidegger, M. (1962) Being and Time. Translated by J. Macquarrie and E. Robinson. 1st edn. Published in 1927 (Oxford: Blackwell Publishing). Holmes, B. (2007) ‘The revenge of the concept: Artistic exchanges, networked resistance’, in Bradley, W.