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By Gene D. Phillips

Two-time Academy Award winner Sir David Lean (1908--1991) was once the most widespread administrators of the 20 th century, liable for the classics The Bridge at the River Kwai (1957), Lawrence of Arabia (1962), and general practitioner Zhivago (1965). British-born Lean asserted himself in Hollywood as a huge filmmaker along with his epic storytelling and panoramic visions of background, yet he began as a skilled movie editor and director in nice Britain. hence, he introduced an art-house mentality to blockbuster motion pictures. Combining parts of biography and picture feedback, past the Epic: The lifestyles and flicks of David Lean makes use of screenplays and construction histories to evaluate Lean's physique of labor. writer Gene D. Phillips interviews actors who labored with Lean and administrators who knew him, and their reviews exhibit new information about the director's existence and occupation. Phillips additionally explores Lean's lesser-studied movies, similar to The Passionate buddies (1949), Hobson's selection (1954), and Summertime (1955). the result's an in-depth exam of the director in cultural, historic, and cinematic contexts. Lean's method of filmmaking was once a ways varied than that of lots of his contemporaries. He selected his movies conscientiously and, therefore, directed in basic terms 16 movies in a interval of greater than 40 years. these movies, in spite of the fact that, became a few of the landmarks of motion-picture historical past. Lean is healthier identified for his epics, yet Phillips additionally makes a speciality of Lean's profitable diversifications of recognized works of literature, together with retellings of performs comparable to short come across (1945) and novels similar to nice expectancies (1946), Oliver Twist (1948), and A Passage to India (1984). From expansive experiences of battle and strife to a few of literature's maximum excessive comedies and family dramas, Lean imbued all of his movies along with his distinctive inventive imaginative and prescient. Few administrators can fit Lean's skill to mix narrative sweep and mental element, and Phillips is going past Lean's epics to bare this unifying attribute within the director's physique of labor. past the Epic is a crucial evaluate of an excellent director's creative procedure and his position within the movie undefined.

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Additional resources for Beyond the Epic: The Life and Films of David Lean

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Admittedly,฀spoken฀dialogue฀made฀for฀ more฀character฀development,฀individual฀characters฀now฀being฀able฀to฀reveal฀ themselves฀more฀effectively฀through฀the฀nuances฀of฀speech. ”22฀It฀was฀ at฀this฀point฀that฀Lean฀got฀his฀first฀lesson฀in฀the฀craft฀of฀editing฀sound฀films. ฀Collins฀was฀very฀relieved,฀then,฀when฀his฀assistant฀cutter฀ volunteered฀to฀edit฀The฀Night฀Porter฀for฀him,฀while฀Collins฀looked฀on. 24฀John฀Seabourne,฀the฀ chief฀ editor฀ of฀ Gaumont-British฀ News,฀ left฀ Gaumont฀ for฀ another฀ studio,฀ and,฀in฀1930,฀his฀place฀was฀filled฀by฀David฀Lean,฀who฀had฀developed฀the฀ reputation฀of฀a฀promising฀young฀editor฀in฀film฀circles.

Furthermore,฀Pygmalion฀was฀the฀first฀film฀on฀which฀ David฀Lean฀acted฀unofficially฀as฀a฀codirector.

Lean฀would฀sometimes฀work฀all฀ night฀in฀the฀editing฀room฀so฀that฀he฀could฀spend฀time฀on฀the฀set฀during฀the฀ day฀and฀watch฀the฀director฀at฀work,฀with฀a฀view฀to฀eventually฀becoming฀a฀ filmmaker฀himself. ฀Dickinson฀remembers฀Lean฀as฀a฀taciturn฀individual,฀but฀he฀much฀admired฀him฀as฀a฀talented฀cutter. ฀Lean฀agreed฀to฀assist฀his฀mentor฀in฀ the฀cutting฀room฀without฀receiving฀a฀screen฀credit,฀in฀order฀to฀profit฀further฀ by฀White’s฀experience. ”28฀Nell฀then฀becomes฀the฀king’s฀favorite. ฀Such฀films฀helped฀infuse฀the฀British฀film฀ industry฀with฀a฀new฀spirit฀of฀energy฀and฀optimism.

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