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By Caroline Moorehead

They have been lecturers, scholars, chemists, writers, and housewives; a singer on the Paris Opera, a midwife, a dental health professional. They disbursed anti-Nazi leaflets, revealed subversive newspapers, concealed resisters, secreted Jews to protection, transported guns, and conveyed clandestine messages. The youngest was once a schoolgirl of fifteen who scrawled "V" for victory at the partitions of her lycÉe; the eldest, a farmer's spouse in her sixties who harbored escaped Allied airmen. Strangers to one another, hailing from villages and towns from throughout France, those courageous ladies have been united in hatred and defiance in their Nazi occupiers.

ultimately, the Gestapo hunted down 230 of those girls and imprisoned them in a citadel outdoors Paris. Separated from domestic and household, those disparate participants grew to become to each other, their universal adventure conquering divisions of age, schooling, occupation, and sophistication, as they discovered solace and power of their deep affection and camaraderie.

In January 1943, they have been despatched to their ultimate vacation spot: Auschwitz. merely forty-nine might go back to France.

A educate in Winter attracts on interviews with those ladies and their households; German, French, and varnish documents; and records held through international warfare II resistance organisations to discover a dismal bankruptcy of historical past that gives an inspiring portrait of standard humans, of bravery and survival—and of the impressive, enduring energy of woman friendship.

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Extra info for A Train in Winter: An Extraordinary Story of Women, Friendship, and Resistance in Occupied France

Sample text

After defeating Russia, Japan annexed Korea in 1910. The Caroline Islands and Germany’s Shandong concession in China were Japan’s compensation for fighting with the Allies in World War I. By the 1920s, Japan had consolidated its position as a colonial power and the most powerful Asian nation.

The emperor and his entourage leaving Yasukuni Shrine on the occasion of the five-day Grand Festival, in which 10,389 new warrior-gods were enshrined. (bottom) PWR 115, 8 May 1940, p. 1. A very similar photograph shows the emperor and his entourage leaving Yasukuni Shrine, having just presided over that year’s ceremony enshrining 12,799 new warrior-gods. The limousine was not pictured in the spring 1940 imperial visit to Yasukuni (the opposing page was left blank). The white steed and the limousine were the best quality, traditional and modern royal conveyances.

He was initially enthusiastic about the war and toured the front in China, producing some important works of war art. He returned to Paris in 1939, taking up residence near fellow artist Miyamoto Sabur÷o, but moved back to Japan after the Germans occupied France. His artistic abilities were again put into the service of the militarists, and he was sent on assignment to Indo-china in 1941, which Japan had occupied in the name of the Axis powers. There, he produced watercolors of native scenery and people.

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