By Annemarie Bean
The 1st quantity to think about African-American functionality among and past the Black Arts move of the Sixties and the recent Black Renaissance of the 1990s.
content material: creation : appearing past pre-formations and among activities : thirty years of African-American functionality / Annemarie Bean --
Black theatre 1998 : a thirty-year examine Black arts theatre (1998) / Ed Bullins --
Clara's ole guy (1968) / Ed Bullins --
domestic at the variety and Police (1968) / Amiri Baraka (LeRoi Jones) --
The Bronx is subsequent (1968) / Sonia Sanchez --
The Black arts circulation (1968) / Larry Neal --
Ritual reformulations : Barbara Ann Teer and the nationwide Black Theatre of Harlem (1998) / Barbara Lewis --
To make Black our bodies unusual : social critique in live performance dance of the Black arts stream (1998) / Thomas DeFrantz --
A street during the desolate tract (1998) / John O'Neal --
conversation : the loose Southern Theater (1965) / Gilbert Moses ... [et al.] --
movement within the ocean : a few political dimensions of the loose Southern Theater (1968) / John O'Neal --
After the loose Southern Theater : a conversation (1987) / Tom Dent and Jerry W. Ward, Jr. --
John O'Neal, actor and activist : the praxis of storytelling (1992) / Kate Hammer --
Rode a railroad that had no music (1998) / Glenda Dicker/sun --
Theatre in traditionally Black faculties : a survey of a hundred years (1998) / James V. Hatch --Stepping, saluting, cracking, and freaking : the cultural politics of African-American step indicates (1991) / Elizabeth C. fantastic --
The gospel musical and its position within the Black American theatre (1998) / Warren B. Burdine, Jr. --
Catalysis : an interview with Adrian Piper (1972) / Lucy Lippard --
4 undesirable sisters (1998) / Eugene Nesmith --
A development of pictures (1977) / Adrienne Kennedy --
Obsessing in public : an interview with Robbie McCauley (1993) / Vicki Patraka --
Sally's rape (1994) / Robbie McCauley --
Anna Deavere Smith : appearing as incorporation (1993) / Richard Schechner --
The notice turns into you : an interview with Anna Deavere Smith (1993) / Carol Martin --
Doo-a-diddly-dit-dit : an interview with Suzan-Lori Parks and Liz Diamond (1995) / Steven Drukman --
The the US play (1994) / Suzan-Lori Parks.
summary: the 1st quantity to contemplate African-American functionality among and past the Black Arts flow of the Sixties and the recent Black Renaissance of the Nineties
Read Online or Download A Sourcebook of African-American performance : plays, people, movements PDF
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Extra info for A Sourcebook of African-American performance : plays, people, movements
Jimmy. Take this one back up to her apartment. Make her comfortable. She ain’t coming tonight. She’ll come another time. ROLAND: Another time? Man you flipping out? Why don’t you realize… CHARLES: I said, Roland, she’ll come another time. Now help her up those fucking stairs. Oh yes. Jimmy, see too that she gets some hot tea. You dig? Ten o’clock is our time. There ain’t no time for anyone. There ain’t no time for nothing ‘cept what we came to do. Understand? Now get your ass stepping. ) LARRY: Hey Charles, over here fast.
You see a fat bitch who’s 20 pounds overweight and looks ten years older than she is. You want to know how I got this way and been this way most of my life and would 18 I THEATRICAL IN(TER)VENTIONS be worse off if I didn’t let off some steam drinkin’ this rotgut and speakin’ my mind? JACK: (to Big Girl who doesn’t listen but drinks) Yes, I would like to hear. (Clara finishes the stove and takes seat between the two. , so I got shipped out somewheres and Baby Girl got shipped out somewheres else.
I don’t know why I hurt people. I hurt people. I don’t know why. (takes out paper penis-pistol) I don’t know why. I’m sick to hurt. Hurt to hurt. It is myself being hurt. I hurt. Please let me stagger. Hurt you. Hurt you. (rhythm) Hurt and hurt you. Please. (staggers against desk) WHITE COP: You couldn’t take it that’s all. You’re not fit for justice among the civilized. The great face looters. That’s all. BLACK COP: I’m a savage? I’m a savage? Savage? BLACK MAN: Hello. 3 POLICE 41 BLACK WOMAN: Discovery.