Download A Sourcebook of African-American performance : plays, by Annemarie Bean PDF

By Annemarie Bean

The 1st quantity to think about African-American functionality among and past the Black Arts move of the Sixties and the recent Black Renaissance of the 1990s.

content material: creation : appearing past pre-formations and among activities : thirty years of African-American functionality / Annemarie Bean --
Black theatre 1998 : a thirty-year examine Black arts theatre (1998) / Ed Bullins --
Clara's ole guy (1968) / Ed Bullins --
domestic at the variety and Police (1968) / Amiri Baraka (LeRoi Jones) --
The Bronx is subsequent (1968) / Sonia Sanchez --
The Black arts circulation (1968) / Larry Neal --
Ritual reformulations : Barbara Ann Teer and the nationwide Black Theatre of Harlem (1998) / Barbara Lewis --
To make Black our bodies unusual : social critique in live performance dance of the Black arts stream (1998) / Thomas DeFrantz --
A street during the desolate tract (1998) / John O'Neal --
conversation : the loose Southern Theater (1965) / Gilbert Moses ... [et al.] --
movement within the ocean : a few political dimensions of the loose Southern Theater (1968) / John O'Neal --
After the loose Southern Theater : a conversation (1987) / Tom Dent and Jerry W. Ward, Jr. --
John O'Neal, actor and activist : the praxis of storytelling (1992) / Kate Hammer --
Rode a railroad that had no music (1998) / Glenda Dicker/sun --
Theatre in traditionally Black faculties : a survey of a hundred years (1998) / James V. Hatch --Stepping, saluting, cracking, and freaking : the cultural politics of African-American step indicates (1991) / Elizabeth C. fantastic --
The gospel musical and its position within the Black American theatre (1998) / Warren B. Burdine, Jr. --
Catalysis : an interview with Adrian Piper (1972) / Lucy Lippard --
4 undesirable sisters (1998) / Eugene Nesmith --
A development of pictures (1977) / Adrienne Kennedy --
Obsessing in public : an interview with Robbie McCauley (1993) / Vicki Patraka --
Sally's rape (1994) / Robbie McCauley --
Anna Deavere Smith : appearing as incorporation (1993) / Richard Schechner --
The notice turns into you : an interview with Anna Deavere Smith (1993) / Carol Martin --
Doo-a-diddly-dit-dit : an interview with Suzan-Lori Parks and Liz Diamond (1995) / Steven Drukman --
The the US play (1994) / Suzan-Lori Parks.
summary: the 1st quantity to contemplate African-American functionality among and past the Black Arts flow of the Sixties and the recent Black Renaissance of the Nineties

Show description

Read Online or Download A Sourcebook of African-American performance : plays, people, movements PDF

Similar theater books

The Immigrant Scene: Ethnic Amusements in New York, 1880-1920

Yiddish melodramas in regards to the tribulations of immigration. German performs approximately alpine tourism. Italian vaudeville performances. Rubbernecking excursions of Chinatown. within the ny urban of the past due 19th and early 20th centuries, those likely disparate relaxation actions performed comparable roles: mediating the enormous cultural, demographic, and social adjustments that have been sweeping the nation’s biggest urban.

Peter Pan on Stage and Screen, 1904-2010, 2d ed.

Recounting the greater than century-long degree and reveal heritage of J. M. Barrie's play Peter Pan, Bruce okay. Hanson updates and expands his 1993 quantity on "The Boy Who would not develop Up. " Hanson strains the foundation of Barrie's story throughout the first London construction in 1904, to varied British and American theatrical and picture productions as much as and together with the level models of 2010.

Angels in the American Theater: Patrons, Patronage, and Philanthropy

Angels within the American Theater: consumers, Patronage, and Philanthropy examines the numerous roles that theater consumers have performed in shaping and constructing theater within the usa. simply because field workplace source of revenue infrequently covers the price of construction, different resources are important. Angels—financial traders and backers—have a big influence on what occurs on degree, frequently deciding upon with the facility and impact in their cash what's conceived, produced, and played.

Public Speaking Handbook

For classes in Public conversing An audience-centered method of public talking in a student-friendly reference structure Public conversing guide, 5th variation emphasizes the significance of examining and contemplating the viewers at each element within the speech-making strategy. utilizing a student-friendly reference layout that allows fast and simple entry to key details, authors Steven and Susan Beebe current a stability of conception and perform to lead scholars on how you can improve their public conversing talents.

Extra info for A Sourcebook of African-American performance : plays, people, movements

Sample text

Jimmy. Take this one back up to her apartment. Make her comfortable. She ain’t coming tonight. She’ll come another time. ROLAND: Another time? Man you flipping out? Why don’t you realize… CHARLES: I said, Roland, she’ll come another time. Now help her up those fucking stairs. Oh yes. Jimmy, see too that she gets some hot tea. You dig? Ten o’clock is our time. There ain’t no time for anyone. There ain’t no time for nothing ‘cept what we came to do. Understand? Now get your ass stepping. ) LARRY: Hey Charles, over here fast.

You see a fat bitch who’s 20 pounds overweight and looks ten years older than she is. You want to know how I got this way and been this way most of my life and would 18 I THEATRICAL IN(TER)VENTIONS be worse off if I didn’t let off some steam drinkin’ this rotgut and speakin’ my mind? JACK: (to Big Girl who doesn’t listen but drinks) Yes, I would like to hear. (Clara finishes the stove and takes seat between the two. , so I got shipped out somewheres and Baby Girl got shipped out somewheres else.

I don’t know why I hurt people. I hurt people. I don’t know why. (takes out paper penis-pistol) I don’t know why. I’m sick to hurt. Hurt to hurt. It is myself being hurt. I hurt. Please let me stagger. Hurt you. Hurt you. (rhythm) Hurt and hurt you. Please. (staggers against desk) WHITE COP: You couldn’t take it that’s all. You’re not fit for justice among the civilized. The great face looters. That’s all. BLACK COP: I’m a savage? I’m a savage? Savage? BLACK MAN: Hello. 3 POLICE 41 BLACK WOMAN: Discovery.

Download PDF sample

Rated 4.86 of 5 – based on 9 votes